CRIMSON TIDE

Two leaders with different philosophies about battle and leadership wage war with each other in this tense military thriller. Capt. Frank Ramsey (Gene Hackman) is the commanding officer of a nuclear submarine, the U.S.S. Alabama. Ramsey is a distinguished veteran near the end of his career, and he leads his men with an iron hand; as he puts it, “We’re here to preserve democracy, not to practice it.” Ramsey is assigned a new second-in-command, Lt. Cmmdr. Ron Hunter (Denzel Washington); Hunter is much younger than Ramsey, Harvard educated, and believes the goal of the military in the nuclear age is to prevent war, not fight it. While at sea, word reaches the Alabama that a splinter group of Russian forces have seized missile silos, and the ship is put on red alert. The Alabama has orders to fire, but as it is receiving a new incoming order the radio malfunctions. It’s Ramsey’s contention that an order is an order and they are to move forward with the attack, while Hunter feels if there is any question at all about their mission, they should wait until they can receive further instruction, with Hunter going so far as to threaten mutiny against Ramsey if the missile strike is carried out.

THE SILENCE OF THE LAMBS

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI’s training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter’s slow-motion interrogation of Clarice and of her memories that emerge from it.